{"id":11567,"date":"2021-05-18T15:45:16","date_gmt":"2021-05-18T15:45:16","guid":{"rendered":"https:\/\/www.borgoditortorella.com\/?post_type=poi&p=11567"},"modified":"2021-05-20T11:00:08","modified_gmt":"2021-05-20T11:00:08","slug":"portals","status":"publish","type":"poi","link":"https:\/\/www.borgoditortorella.com\/en\/poi\/portals\/","title":{"rendered":"Portals"},"content":{"rendered":"

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Portals<\/h1><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]The portals<\/strong> are a precious testimony to the significance and special care given to such emergencies by the families of the Borgo’s rank, which still appear marked by a crowning coat of arms, emblem of the nobility of the family.<\/p>\n

A refined product, therefore, which easily dialogues with portals of lesser workmanship but no lesser value and relevance scattered throughout the country.<\/p>\n

There is in fact a considerable nucleus of entrances – all sharing ancient chronologies, the use of stone extracted from local quarries and worked by local craftsmen – offering an extraordinary and varied gallery, which includes, for example, the 16th-century portal of the church Santa Maria Assunta in Cielo (1555)<\/strong>, the one shortly after Isabella Caracciolo’s house<\/strong>, and the 17th-century portal of the Carafa della Stadera<\/strong> residence in Via Indipendenza, where the “Ius primae noctis<\/em>” is documented.[\/vc_column_text]\n

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